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My Items I'm a title. ​Click here to edit me. Past-Life Regression More Tesla's Free Energy More Daoism (Taoism) More Synchronicities More The Pineal Gland More Chakras Explained More Pande-mania More Simulation Theory More

Paradigm Shift The world is experiencing a collective awakening right now. For people of color it's painfully overdue. With great upheaval comes great change - it is up to humanity to direct how that manifests. We #StandTogether for #BlackLivesMatter. ​ The entertainment industry is evolving at unprecedented rates as the illusion of what we thought was vital and necessary has been shattered. Tune into the Another Way Podcast channel for interviews with artists of color discussing BLM. Free Consultation The Show Goes On Productions Cultivating the meta and making it sustainable. ​ We build supportive environments for artists and Arts businesses to develop, incubate, showcase, and launch alternative, non-traditional ideas. We do this by cultivating the entrepreneurial spirit through Exploration , Inclusion , and Evolution . #AnotherWay #ArtsMeetsBiz #RebrandingArt What's it like working with TSGO? Emileena's Blog Check out the Word of the Day on Instagram Promoting #AnotherWay

The Show Goes On Productions Presents A Rock Musical Reading Series Tues., Nov. 29 - Thurs. Dec. 8th, 2011 The Mint Space, Theatre Three 311 West 43rd Street, 3rd Floor How to Marry A Divorced Man Tues., Nov. 29th @ 4:30pm Save the Robots Wed., Nov. 30th @ 8pm 1812, the Musical Wed., Dec. 7th @ 8pm Apathy, the Gen X Musical Thurs., Dec. 8th @ 4:00pm Please reload ​ APATHY, the Gen X Musical Book and Music by Mickey Zetts Thurs., Dec. 8 @ 4:00pm Featuring: A cast of six and Mickey Zetts' Icky House Club Band ​ What does it really mean to be Generation X? Find out by following the wacky adventures of six friends romping through the apathetic fog of the '90s. Flash back to the world of grunge, Internet cafes, and controversy in the white house. When Jones manipulative girlfriend gives her friends an unforgettable acid trip, life as they know it morphs into a thrill ride that brings them to present day. If HAIR gave a voice to the outcasts of the 1960s, APATHY follows in its footsteps, giving Gen Xers a social icon they can finally call their own. Cut them open and they'll be bleeding APATHY. For more information on Apathy, The Gen X Musical, visit Runtime: 2:00 with one intermission.

Robert L. Hecker Joshua A. Kashinsky Amy Klewitz Evan Storey Duane Pagano Peter Hoerburger Candice Knox Robert L. Hecker (Playwright) enlisted in the Army Air Corps after Pearl Harbor. He completed thirty missions as a lead bombardier on B-17s and was awarded six Air Medals, four battle stars, a Unit Citation and the Distinguished Flying Cross. Shortly after the war, he began a freelance writing career for radio and television, while specializing in business, education and documentary films. His documentary film awards include: San Francisco Film Festivals Golden Gate Award, Atlanta Film Festivals Gold Award, five Information Film Producers of America Cindy Awards, and four United States Cine awards. He also has had 12 novels published and five stage plays produced, including Honestly Abe, his first musical, as well as a new feature-film screenplay scheduled for shooting in the spring. Robert is a graduate of the Pasadena Playhouse and the Westlake College of Music and a member of the WGA, the Dramatists Guild, and the Alliance of LA Playwrights. Upcoming directing projects include a reading of The English Bride by Lucile Lichtblau (Luna Stage). Recent directing projects include the new musical Honestly Abe by Robert Hecker (La Muse Venale/Mint Theater) and a reading of Dead and Buried by James McLindon (Luna Stage). Recent producing credits are McCarter Theatres High School Rep and The Mad 7 by Yehuda Hyman (dir. Mara Isaacs) in the NY International Fringe Festival. Other directing credits include McCarter Theatre's Youth Ink! Festival and MCC Theatre's Youth Company. Josh was recently a Directing and Producing Assistant at McCarter Theatre in Princeton, NJ where he assisted Des McAnnuff, Amy Morton and Nicholas Martin. As a playwright, his work has been seen in California, New York, Maine and Ontario. Most recently his play Heels in the Sand had a reading at Woodie King Jr.'s New Federal Theatre. He is the recipient of the Lipkin Prize and is a Corwin Award winner. Josh is a graduate of the University of California, Santa Barbara. He received his MFA from Sarah Lawrence College and is a proud member of the Dramatists Guild. Continues an active career as choreographer, dancer and actor. Favorite choreography credits include Diabetes Costars (With Paul and Mira Sorvino), Midsummer Night Swing at Lincoln Center, Wooden Breeks (MCC), Erica Schmidts Price of Pearls and Other Stories, Unity Ball Dance for Alseheimers, Hot for Manhattan Ballroom Showcase, 10 Blocks On The Camio Real, JosephDream Coat, Honestly Abe, among many commercials, musicals and films. Amy worked as managing director of Little Light Productions. She competes as a professional Ballroom and Latin dancer, and dances for the American Ballroom Theatre. She holds a BA in Dance and Theatre and an MFA in Theatre from The Actors Studio Drama School. Through his prior work at management firm 101 Productions and as Executive Personal Assistant to producer Timothy Levy at Robert Boyett Theatricals, Evan has worked on more than 20 Broadway shows and Westend transfers. In addition, he served as Administrative Production Coordinator for the Drama Desk Awards, co-coordinated the New Island Festival, managed Front of House Operations for The New York Musical Theatre Festival, and acted as Production Manager for the Midtown International Theatre Festival. As a playwright, he has written four full-length plays and two musicals. As director, he has mounted six New York stage productions and two television pilots, with one earning him a Velocity Award Nomination for Best Director. Evan studied at the American Musical and Dramatic Academy and is currently working on a degree in Cultural Media from Eugene Lang College at the New School for Liberal Arts. DUANE PAGANO is obligated to thank Emileena and crew for the opportunity to be a part of this production. He has designed lights for any number of productions throughout NYC, some of which you may have seen. And if you havent, no worries, as he has more upcoming. Hes also designed sets occasionally. Possibly you hadnt recognized his name before, as you hadnt read through the program. Thanks for reading and enjoy the show. As always, he dedicates his work to his biggest fan. Recent Designs: My Base and Scurvy Heart, Space Bar, The Erotic Diary of Anne Frank, Gaugleprixtown (Studio 42); Transatlantica (NYTW); Present Perfect (NYIT Award); We Are Being Held (Coffee Cup Theatre); Boise, St. Crispins Day (Rattlestick); Fear (Naked Angels); Marvins Room, HurlyBurly, Crimes of the Heart, Taste of Honey, Bedroom Farce (T. Schreiber Studio); Peter Pan, Tom Jones, Waiting for Godot, The Foreigner, The Orchard, Towards Zero (Dorset Theater Festival); Associate Credits: Bring It On (National Tour); Aladdin (5th Avenue Theatre); Ghetto Klown (Lyceum Theatre); ELF (AL Hirschfeld Theatre); Mrs Warrens Profession (Roundabout Theatre); Stuffed and Unstrung (Henson Alternative); Beauty and the Beast (National Tour); Brighton Beach Memoirs (Netherlander Theatre); Accent on Youth (MTC). MFA graduate of Sarah Lawrence College. NY theatre productions include Tartuffe, Wickets, The Winters Tale, and Twelfth Night. Film credits include Tomorrow Comes Today, My Name is Your First Love, and Gods Atheist. She has also worked in TV as a costume coordinator for 2 seasons at Law & Order and 1 season at Blue Bloods. Ien DeNio Charlotte Volage Sarah Kate O'Haver Paul Siebold Heather Hogan Jamibeth Margolis Genevieve Ortiz Ien DeNio never knows what to say in these things. Ien is an artist, with a general focus in theater and a particular fascination with sound. Her recent work includes Planet Egg (St. Anns Puppet Lab; Holon Puppet Festival, Israel), Hay Fever (NYU-ATC), Blue Roof Skies (92nd Street Y; Jacob's Pillow Inside/Out Festival) and DayDreamers(Canadian Fringe Festival). Her work can be seen in the upcoming weeks in Trojan Women (NYU-ATC) and Anne and Emmett (Atlas Theater, DC). Many thanks to Josh, Mom, Dad, Kate, and neverbugs... little ones. Charlotte Volage theatrical credits include Broadway, Off Broadway and regional theatre. Broadway shows represented are Absurd Person Singular, Goodtime Charley, Yiddle With a Fiddle and Crown Matrimonial. She has worked along side Marsha Norman on Marsha's play Lunch with Ginger observing first-hand this Pulitzer Prize-winning playwright in action. Her first professional theatre experience occurred on the national tour of That Championship Season which starred Danny Aiello and academy award winner Broderick Crawford. She also worked with Elia Kazan on one of his final directorial projects The Chain which premiered at the Hartman Theatre. Cheryl Crawford produced this play, which was optioned for Broadway. Charlotte rode the train every day to rehearse with this icon of theatre history and heard many stories from Cheryl's halcyon days with the Theatre Guild one of the most prominent producing organizations in the history of the American theatre. Sarah Kate is thrilled to be joining The Show Goes On team. For four years she worked closely with box-office guru Joseph Craig at his offices at both Nielsen Research Group and Entertainment Research Marketing, where their research credits include work with Disney Theatricals, SPOT Co, Spiderman: Turn off the Dark and more. Additionally, she has served as the marketing director for the past two seasons of the Midtown International Theatre Festival. She also gives marketing assistance to Touching Humanity, a theater company featuring "differently abled" performers. She has an M.F.A. from Rutgers' prestigious Mason Gross School of the Arts, where she studied playwriting. Paul Siebold is the managing director of OFF OFF PR, a firm dedicated to promoting developing theatrical productions through effective marketing communications. He has been a marketing, promotions and public relations executive for over 15 years. Pauls work has helped to achieve significant pre-press, sold-out houses and post-production success for his clients. Among his many successes, Paul was the publicist for the 2008 and 2009 winners of the New York Innovative Theatre Award's "Outstanding Production of a Musical." Paul works with performers, album releases, comedies, dramas, musicals, plays, dance and solo performances as part of festivals, theater company seasons, independently produced productions, and more. www.offoffpr.com . Member, AEA /AFTRA. Broadway: In The Heights Off Broadway: The Sphinx Winx Regional: Most Wanted, After the Quake, The Farnsworth Invention and Carmen The Musical (LaJolla Playhouse), Denmark, Mauritius (Madison Repertory) Hamlet, As You Like It (PCPA Theaterfest). International: CANDELA "Fuerza y Pasión" (Pura Vibra), Oedipus Rex (TOGA Japan), INDIA (Dragone Productions). She received her MFA from the University of Delaware. Heather is also on the board of directors for the nonprofit arts organization R.Evolución Latina. www.revolucionlatina.org Jamibeth is now entering her 16th year as a professional casting director in New York. She was with Johnson-Liff Casting, Cameron Mackintosh, and Margolis-Seay Casting and is now out on her own as a freelance casting director. Previous credits include the Broadway and National Touring Companies of LES MISERABLES, THE PHANTOM OF THE OPERA, MISS SAIGON, and CATS as well as many other shows on Broadway, Off Broadway, National Touring Companies and shows for prominent regional theaters. Jamibeth is a member of the Casting Society of America. Currently, she is casting many new plays and musicals in development for commercial productions including SISTAS (running Off Broadway at St. Lukes) and WARSAW and is dedicated to developing new works. She is thrilled to be working with Emileena again and the entire creative team of GHOST DANCER. Recent credits include SOPAC's Significant Others (stage reading); NYMF This One Girls' Story; Abingdon Theater's How I Fell in Love; Morgan Street at BRIC Arts New Black Festival; plus various NYC credits. Alyssa Renzi Emily Padden Alyssa is a New York City based theater/film artist. Previously, she has interned on the independent film The Green as the production office assistant and at the 2nd National Asian American Theater Festival as the marketing intern. She also co-produced the short film White Rice which was accepted into the 2011 Big Apple Film Festival and is currently producing the short film Underpaid Narrator. Alyssa does freelance graphic design and editing. Emily Padden is happy to be working with Emileena and Evan again after interning for them this summer on the Midtown International Theatre Festival. A native of Massachusetts, Emily earned a B.A. in Theatre Arts from Salem State University (formerly Salem State College) in 2003 and immediately went to work in the Boston area as a stage manager, production assistant, stagehand, and event tech. She's worked for such regional theatres / theatre companies as The Lyric Stage of Boston, North Shore Music Theatre, The American Repertory Theatre, Boston Actors Theater, The Firehouse Center For the Arts, Boston Theatre Works, New Repertory Theatre, and Company One. Additionally, Emily served for four years as a stage manger / co-artistic director of the Boston fringe theatre company, Junkyard Dogs Productions, and in 2007 went with the Dogs to The Edmonton International Fringe Festival with their original production of Lineage. Since her move here (finally!) in May of 2010, Emily has tried to get involved as much as possible in theatre and so far has worked for the aforementioned MITF, volunteered for the 2010 New York International Fringe Festival (sensing a theme here?), and helped out as a volunteer script reader at New York Theatre Workshop. Currently, Emily is a staff member at State Supply Equipment & Props, Inc. The Production Team of GHOST DANCER ​ Joshua A. Kashinsky Director Robert L. Hecker Playwright Amy Klewitz ​ Choreographer ​ Evan Storey ​ ​ Production Manager ​ Duane Pagano ​ ​ Scenic Designer ​ Peter Hoerburger ​ ​ Lighting Designer ​ Candice Knox ​ ​ Costume Designer ​ Ien DeNio ​ ​ Sound Designer ​ Charlotte Volage ​ ​ Prop Designer ​ Sarah Kate O'Haver ​ ​ Marketing Director ​ Paul Siebold ​ Off Off PR ​ Publicist Heather Hogan ​ ​ Production Stage Manager ​ Jamibeth Margolis ​ ​ Casting Director ​ Genevieve Ortiz ​ ​ Production Assistant ​ Alyssa Renzi ​ ​ Production Assistant ​ Emily Padden ​ ​ Production Assistant ​ Press Process Team Cast About

Rock Tonic 7 Rock Tonic 6 Rock Tonic 5 Rock Tonic 4 Rock Tonic 3 Rock Tonic 2 Rock Tonic 1 7 Thursday, 12/12 at 9pm at Club Bonafide Tickets are $30 No drink minimums! A concert, holiday celebration, interactive show, and music video debut all in one! Featuring Now, the Band Now’s newest studio recording of Love You Every Possible Way is a hard rock hit that explores themes of expansive, multifaceted, and limitless love. The Show Goes On Productions is debuting the accompanying neo-noir experimental music video in its latest ROCK TONIC production. ​ Love is the theme of the night and Now invites the audience to share their reflections on what love means to them and how they want to love those they care about as the winter celebrations approach. Join us for catchy original songs, intense jams, and the spirit of holiday love on December 12 at Club Bonafide! Samantha has a small town feel with a big city voice. She believes in a world where you discover your happiness by being truly aligned with your heart. She's helping build a world where comedy and vulnerability collide through her music. Opening Act Singing Sensation & Instagram Influencer ​ Samantha Ramsdell Join us for the after-party w/ AyeC33 ​ Afterparty only: $5 tickets So who the hell is AYEC33, did he really name himself after a living room appliance? No. He’s an up and coming rapper, singer-songwriter out of Harlem NY. “New York’s best kept secret” are what some people are saying after he demolished the stage at Arlene's Grocery on September 22nd, where he was promoting the release of the new video for his single 'Top 5ive.' ​ But what does that mean to you? AyeC33 is a unique artist, devoted to the experience of the fan. To show this, he bought pizza for all his guests, and charged only 5 bucks to get into his show. Trust me though you’re getting a bargain because this artist is giving you 40 minutes of high energy, as well as meaningful lyricism. But don’t take our word for it check him out yourself.

Finding Balance Past Topics July 17th: Disillusionment : Dig Deeper or Dig Out July 10th: The Nature of Creativity : Subjective Imagination or Objective Reality June 30th: Web 3.0 Jump Ahead or Hold Back June 26th: Google's Sentient AI : To whistleblow or suffer the consequences? June 19th: Father's Day 2022: Fathers and Mothers June 5th: Art vs Algorithm May 29th: Amendment vs. Permanence May 22nd: Creativity in Liminal Times : Routine vs. Liminality May 15th: Inflation & the New Economics: Conversation vs. Confrontation May 8th: Processing Wetiko The Dream State vs Consciousness May 1st: Twitter & Social media: Public vs. Private Spaces April 24th: Time Management Giving vs Collecting April 17th: The Culture Wars Agitation vs. Discipline April 3rd: Will Smith Thinking Ahead vs. Damage Control March 27: Human Sustainability vs Earth's Sustainability March 20th: In-person vs virtually connected March 13th: Underwater vs. Land-dwelling March 6th: Nature vs. Nurture Feb. 27th: "I Don't Know": Useful Distractions vs. Ego's Distractions Feb. 20th: Angry Power vs. Empowered Anger Feb. 13th: Acknowledging Sacred Land w/guest co-host Kate Spencer Feb. 6th: Year of the Tiger Jan. 30th: Emotional Intelligence vs. Artificial Intelligence Jan. 23rd: Development vs Stagnation Jan. 16th: Numbers vs. Letters Jan. 9th: Revivals vs. Originals Jan. 2nd, 2022: Authenticity vs. Broken Systems ​ 2021 Dec. 19th: Wildcard Night Dec. 12th: Water : chemical or esoteric? Dec. 5th: The Media : Arbiters of Justice or Injustice? Nov. 14th Artists vs. Management: Astroworld Music Festival tragedy Nov. 7th: Time vs. Money: Shooting on the set of Alec Baldwin's 'Rust' Oct. 24th: The Great Resignation : Work for Money or Work for Purpose? Oct. 17th: Music, Time vs. Memory: Tony Bennett Performs w/ Alzheimer's Oct. 10th: Social Media : Connecting or Isolating? Oct. 3rd: The Legacy of History , Fact or Fiction? Sept. 26th: The future of entertainment Sept.19th: Gathering vs. Avoidance Sept. 12th: K-pop vs. America Sept. 5th: Wildcard Night Aug. 22nd: Aging : Dying or Living? Aug. 15th: Simone Biles : Mental Illness or the Road Less Traveled? Aug. 8th: Nuclear Waste : Disposal or Termination? Aug. 1st: Is Street Art for Art or Advertising? July 25th: Climate Change : Doomed to Destroy or Poised for Evolution? July 18th: Space Travel : Freedom vs. Disillusionment July 11th: Wildcard Night June 27th: The Cheetos Guy , Authenticity vs. Artistic License June 13th: Psychedelics , for Recreation or Therapy? June 6th: Britney Spears' Conservator , Family vs. Work May 23rd : Man vs. Machine May 16th: Deepfakes , for Entertainment or Deception? May 9th: Natural power vs. Man-made May 2nd: Elon Musk's SpaceX vs. Jeff Bezos' Blue Origin April 25th: Religion vs Spirituality April 18th: Netflix's first movie franchise , Streaming vs. Theaters April 11th, 2021: NFTs , for Artists or Crypto Traders? Back to Events

Cultivating the meta and making it physical... through Evolution, Inclusion, Exploration. #AnotherWay #RebrandingArt #ArtsMeetsBiz Submit my Art! Contact Us ANOTHER WAY ARts FESTIVAL ​ We are searching the country for Arts entrepreneurs and artists who have the talent to BE the example; to remind the country why the "creative win" in business means nothing without an artistically expressive component. ​ ​ The Internet enabled a whole generation of businesses making fast money. We’ve forgotten the lessons learned by our predecessors: the value of markets growing, failing, and re-building, and the opportunity that arises from it. Honest innovation comes from the hunger and drive of entrepreneurs, outside of existing systems. ​ Since the dot-com boom in the ‘90s, corporate entities (like the banking system) and/or economic bubble are no longer allowed to explode. Instead, the system gets manipulated and bastardized to only support growth – this is big business! ​ It means the people already in power creatively twist laws, bend rules, and embrace exploitation. This "creative" pursuit promotes financial mobility over Art. It is increasingly crushing big ideas and teaching a new generation to value the dollar and the creative ‘win’ over the process of artistic expression. ​ Innovation has become the business of pushing evolution onto the consumer instead of letting society incubate and speak for itself. Corporate America is speaking for us now. ​ And we get a society where the Arts are under-appreciated due to lack of exposure. When funding deteriorates marketing suffers and programming disappears. Kids are growing up without Arts education so they don't know how to support them or pursue artistic careers practically (i.e. in a way that is financially sustainable). This is exasperated by Big Business’ view of the Arts as financially unstable. When we don't see or understand something, it's hard to remember the value in it. If a tree falls... ​ Arts are NOT fast money. Artistic endeavors by nature take time to develop. They need that incubation time to become anything of value. Outside of struggling non-profits, fighting for diminishing grants and dependent on financially squeezed consumer donations, there are no commercials centers for Arts businesses and individual artists to develop their craft. The Problem ​ ​ Cultivate the meta and make it physical. ​ The vision: A sustainable safe space to develop, incubate, showcase, and launch artistic ideas that are out-of-the-box in a non-traditional manner; where loving intentions flourish. ​ The mission: To host live events in a festival-type eco-system across artistic disciplines embracing alternative ideas. We also cultivate the entrepreneurial spirit with development programs and resources. ​ Let us together disrupt the current de-evolution of the Arts through Exploration, Inclusion, and Evolution. ​ Exploration Meta Fiziks means freedom, space, and time to develop within financially savvy models that will allow artists to make money alongside, and often in partnership with, the creative businesses making waves under the same roof. ​ Inclusion Art does not discriminate - it does not belong to an exclusive elite. Art can be found in the hearts of the beaten and downtrodden, in the minds of the lonely cool kids, and most importantly on the walls of the soul; Inside the wealthy businessman and the poor high schooler alike. If it's honest and pure, Art is everywhere. Meta Fiziks is a non-traditional, multi-use, flexible venue offering sanctuary to any artistic idea in search of an authentic truth. Evolution Meta Fiziks offers the public an inside view of the artistic process as a way to educate the next generation on #WhatisArt. Our programming includes business seminars alongside artistic events curated to promote non-traditional ideas. Small business needs help more than ever from the artistic community to combat the momentum of corporate and governmental corruption. The Solution

Rock Tonic 7 Rock Tonic 6 Rock Tonic 5 Rock Tonic 4 Rock Tonic 3 Rock Tonic 2 Rock Tonic 1 6 Saturday, 08/15/15 at 9pm, at The Hybrid Club Thru the Ages Theatre Rock celebrates the dynamic genre of Rock Musicals through the ages. Covering the best music from the 1970's through today, the show delivers a powerful and meaningful performance not to be missed! James Grausam guest hosts the musical journey. Featured vocalists include Dan Vissers, Dave Murgittroyd, Lindsay Lavin, and Carol Wei. Joe Andolino is music director and plays keyboard, alongside Kosaku Nakamura on guitar, Tynan Hooker-Haring on bass, and Jason Gianni on drums.

5 Rock Tonic 4 Saturday, 10/26 at 11:55pm, (11:30 doors) at The Cutting Room 100_0057.JPG 100_0059.JPG 100_0069.JPG 100_0072.JPG 100_0066.JPG 100_0074.JPG 100_0070.JPG 100_0073_edited.JPG 100_0071_edited.JPG 1/2

The Show Goes On Productions Presents A Rock Musical Reading Series Tues., Nov. 29 - Thurs. Dec. 8th, 2011 The Mint Space, Theatre Three 311 West 43rd Street, 3rd Floor How to Marry A Divorced Man Tues., Nov. 29th @ 4:30pm Save the Robots Wed., Nov. 30th @ 8pm 1812, the Musical Wed., Dec. 7th @ 8pm Apathy, the Gen X Musical Thurs., Dec. 8th @ 4:00pm Please reload How to Marry a Divorced Man ​By Bryan D. Leys and Clare Cooper based on How To Marry A Divorced Man by Leslie Fram ​ Tues., Nov. 29 @ 4:30pm Featuring: Richard Binder, Paul Bourgeois, Laura Daniel, Christine Marie Heath, Michael Kirk Lane, Babs Winn ​ He's broke, has a crazy ex-wife, two bratty kids, and he's the only game in town. How To Marry A Divorced Man is one woman's zany ride on the road to matrimony. Layla Diamond, a rock and roll reporter in her late 30's, follows the advice of her daffy mother and seeks out a divorced man. She sets her sights on Bo, a charming sports agent with a needy ex and two obnoxious children. Trying to fit into his life, Layla makes one madcap mistake after another, adopting false identities, causing multiple mix-ups, and turning her marital quest into a complicated farce. How to Marry... features a lively score blending rock, pop, country and R&B tunes. Runtime: 1:45 with one intermission.

#AnotherWay is Here Now. Click here for our message. Paradigm Shift The world is experiencing a collective awakening right now. For people of color it's painfully overdue. With great upheaval comes great change - it is up to humanity to direct how that manifests. We #StandTogether for #BlackLivesMatter. ​ The entertainment industry is evolving at unprecedented rates as the illusion of what we thought was vital and necessary has been shattered. Tune into the Another Way Podcast channel for interviews with artists of color discussing BLM. TSGO announces another Rock Musical Reading Series! We're looking for submissions that are ready for an invited audience, preferably with a full band. All reading will take place in a concert-friendly environment, possibly a bar or club. Please submit script, demo, and cover letter to our offices. Anchor 1 Don't let money hold you back. 11/30/11 The Show Goes On announces its Talk-Back Series on BroadwayWorld! Ask about special financial arrangements for artists on a budget. 10/19/11 Casting announced for GHOST DANCER on TheatreMania. 3/10/2012 TSGO launches a fundraiser on Rockethub to raise money for a music video to introduce APATHY, the Gen X Musical. 10/19/11 GHOST DANCER is announced on Examiner.com. 10/5/2011 TSGO announces it's launch on BroadwayWorld. TSGO is developing the Rock N Roll Theater Complex: the first multi-use theater complex in Manhattan to embrace pop & rock music and a new model for theatrical concerts and immersive theatre under one roof. ​ Meta Fiziks: It is free to submit! Chosen artists will be expected to pay a participation fee before the event to cover event costs. The fee will be on a sliding scale based on the art piece's performance requirements. Fees vary across artistic disciplines, but range between $50 - $250. Do not let the fee stop you from submitting - we want to work with you to get your voice heard! As such, there is space on the application to explain any financial concerns and we will evaluate your situation with a kind heart. Emphasis is given to your Art and not your wallet. Building a Community of Sustainable Artists ​ Imagine a brighter future for the Arts: one where art is not only supported, but celebrated. Artists make a living from their creative work. ​ To that end, we are developing a venue dedicated to alternative commercial performance with a co-working space and shared resources for artists and creative businesses alike. It's a community where loving intentions flourish. Imagine this safe space for developing, incubating, showcasing, and launching artistic ideas. In this festival-type eco-system we can consistently challenge the status quo. By cultivating the entrepreneurial spirit through development programs, we'll together create sustainability for the Arts. ​ But how do we disrupt the current de-evolution of the Arts? ​ Music as an art is one of the purest and universal expressions of emotion. Along with that comes a lot of dangerous, uncharted territory. Forget all your heroes: the success stories like Lady Gaga, the unlikely discoveries like Justin Beiber, and the tragic failures like Kurt Cobain. The only way Art works is if you make your own story. ​ ​ ​ Exploitation. Corporate Greed. Corruption. Artists have a lot of bullshit to weed through while trying to build a career based on passion. Not to mention trying to create and develop your talent while the vultures are hovering... And yet, the secret to sustainability is remaining true to yourself and your art; authenticity. ​ ​ Passion is only Sustainable with Evolution. At TSGO we work with artists to build a safe space where personal creation and development is priority. Relationships are built on trust, security, and safety. Artists receive professional coaching on how to make their passion into a sustainable career but are free to evolve at their own pace. Is Music Your Life? Anchor 1