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Paradigm Shift The world is experiencing a collective awakening right now. For people of color it's painfully overdue. With great upheaval comes great change - it is up to humanity to direct how that manifests. We #StandTogether for #BlackLivesMatter. ​ The entertainment industry is evolving at unprecedented rates as the illusion of what we thought was vital and necessary has been shattered. Tune into the Another Way Podcast channel for interviews with artists of color discussing BLM. Free Consultation The Show Goes On Productions Cultivating the meta and making it sustainable. ​ We build supportive environments for artists and Arts businesses to develop, incubate, showcase, and launch alternative, non-traditional ideas. We do this by cultivating the entrepreneurial spirit through Exploration , Inclusion , and Evolution . #AnotherWay #ArtsMeetsBiz #RebrandingArt What's it like working with TSGO? Emileena's Blog Check out the Word of the Day on Instagram Promoting #AnotherWay

Submit my Art! Contact Us Sponsorship ANOTHER WAY ARts FESTIVAL Leveraging the Arts to Build a Community of Sustainable Businesses Featuring innovative performances and a conference at the intersection of #ArtsMeetsBiz Businesses are increasingly looking to Arts-based initiatives to retain employees, inspire innovation, and encourage growth. As the Arts brace for a re-branding in culture, alternative models have emerged celebrating exploration, inclusion, and evolution of artistic ideas. By cultivating the entrepreneurial spirit through hands-on programming that encourages insight and discourse, we'll together create a sustainable future where #ArtsMeetsBiz. Learn more about the Meta Fiziks involved in Sustainability. Festival Hub, Panels, and Workshops will be at the Festival Hub: ARTuary: 150 W83 Music at the Highline Ballroom More venues to be announced soon. Partners, Sponsors, & Angels, Oh My! Partnerships and Sponsorships are available in the following opportunities: ​ Panel Sponsorships Performance Sponsorships Displays & Installations Tables & Booths Programming Curation & more!​ ​ Contact Us for more information.

The Cast of GHOST DANCER ​ Lilia Vassileva Arturo Castro Jorge Acosta Luis Salgado Rosie Lani Fiedelman Leajato Amara Robinson Reza Salazar Lilia Vassileva ​ ​ Lakota Romero ​ Arturo Castro ​ Tony Romero ​ Reza Salazar (Lazaro) started his career out of a necessity to survive when he was only six years old. His single mother, being torn between the need to work and the desire to stay with his son, created a clown show called Honey and Bingo and gave Reza his first acting role. They traveled through five different countries in South America performing on street corners, hospitals, schools, and kids birthday parties. When he was thirteen years old, his mother decided to move to the U.S in search of a better future. In high school, Reza kept on molding his craft despite the language barrier and a few years later he moved to New York to continue his journey as an actor. His first major role was as a guest star on Law and Order. He also starred on the Spanish series Nuestro Barrio, Law and Order CI, Honey Please, the comedy TV show Louie and the Independent film The Imperialists Are Still Alive. Favorite theater credits include: Sonnets For An Old Century, Speak Truth To Power (with playwright Ariel Dorfman), Marco and In the Cypher. He and his girlfriend founded the LIPENEX Arts Project and wrote, produced and performed their first piece at the United Nations. He is a proud member of the Peoples Theater Project in Washington Heights and In the Cypher Educational Program. He loves getting involved with different organizations that are actively creating a transformation in our communities such as R.evolucion Latina where he taught clowning to over sixty kids, The Brooklyn Academy of Music where he has been invited as a guest artist teacher, and Sure We Can an NGO designed to help city canners. You can see him soon in the upcoming romantic comedy See Girl Run, Directed by Nate Meyer. ROSIE LANI FIEDELMAN (Rosaria) from Breckenridge, Colorado graduated as part of the first class from the Alvin Ailey/Fordham University BFA program. Ms. Fiedelman has performed with Chet Walker, Deeply Rooted Dance Theater, Mark Stuart Dance Theater, Calvin Wiley Dance Theater, Subtle Changes and Camille A. Brown. She has worked with Kevin Iega Jeff, Roger C. Jeffrey and as his assistant 2C Ronald K. Brown, Darrell Moultrie, John Paollilo, and David Moore and appeared on Live with Regis and Kelly. She was an original cast member of the four-time Tony Award-winning and 2008 Grammy Award-winning musical In The Heights, where she made her Broadway debut. She also earned the 2006-07 Drama Desk Award for Outstanding Ensemble Performance off Broadway and the 2007-08 Outstanding Broadway Chorus Award from The Actors' Equity Association. She has danced with Jennifer Muller/The Works since 2003. Ms. Fiedelman has travelled with the company to Thailand, Bolivia, China, where she taught a master class to the Beijing Dance/LDTX modern dance company and most recently Fortaleza, Brazil. Luis Salgado (Francisco) Broadway Credits includes Women on the Verge of a Nervous Breakdown (Malik), 4 time Tony Award winning show In The Heights (Jose) and served as the Latin Assistant Choreographer. He has also performed in shows such as The Mambo Kings (Frankie Suarez), Fame on 42nd Street (Joe Vegas u/s), and Aida, among others. Film Credits include: "Step Up 2 The Streets" (Alejandro), "Enchanted", "Across the Universe", "The Great Observer," and "Dirty Dancing 2: Havanna Nights." Luis choreographed the musicals Serenade (Hola award for choreography), Salsa Gorda, Shafrika The White Girl and the world premier of DC-7 The Roberto Clemente Story, currently performing at Teatro SEA. Luis recently returned from Peru where he directed the musical event Candela Fuerza y Pasión. Luis is the founder/director of the non-profit organization R.Evolución Latina, a collective of artists and activists committed to empowering the artistic community in order to inspire growth within the Latino Community through collaboration, productions, and educational support programs. For more information visit www.luissalgado.com Leajato Amara Robinson (Hector) A.E.A. member, graduate of Interlochen Arts Academy and graduate of The Juilliard School B.F.A. in Dance. Has studied under Terry Schreiber and Penny Templeton at both T. Schreiber and Templeton studios. Credits NYC:"The Changing Room" Gloria Maddox Theater "Fire Throws"(Antigone) 3LD. Regional; "Where I Come From" Kentucky Repertory Thtr., "Crazy For You" North Shore Music Thtr., "Dreamgirls and Gentlemen Prefer Blondes "Gateway Playhouse, "Annie Get Your Gun" North Carolina Thtr., Leading Player in "Pippin" The Depot Theater, "The Old Man and the Sea" in created role of "Cinefuegos" Long Wharf Theater. Psalm18:1-3 Jorge Acosta (Uncle Luis) is an actor, singer, director, and teacher entering his 28th year as a freelance theatre professional during the run of GHOST DANCER. Brand new to New York, Acosta has been seen as Manolo in 167 TONGUES, Jose in THE GUEST, The Red King in ALICE, A NEW MUSICAL, Father Caruso in TRANSUBSTANTIATION, Juan in DANIEL, and Brian in THE SHADOW BOX. Mr. Acosta has several commercials playing all over the country in Spanish and English television, and recently made his network TV debut in 30 ROCK where he had the distinct pleasure of yelling at Tina Fey in Spanish (She yelled right back - also in Spanish). Regional credits include THE FROGS, EVITA, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, ANNA IN THE TROPICS, MAN OF LA MANCHA, WAITING FOR GODOT, HAMLET, LOVE'S LABOURS LOST, LEND ME A TENOR and ROMEO AND JULIET. Directing credits include 9 PARTS OF DESIRE, BOY GETS GIRL, THE MERRY WIDOW, WEST SIDE STORY, FIDDLER ON THE ROOF, ONE FLEW OVER THE CUCKOO'S NEST and THE LARAMIE PROJECT. Jorge is a proud member of Actors Equity Association (since 1986) and is profoundly grateful to work in the theatre. This performance is dedicated to my father. Papi Te quiero y me quedo corto. Arturo Castro was born in Guatemala but moved to New York at age 19 to attend the American Academy of Dramatic Arts. He has appeared in over a dozen professional stage productions including the Pulitzer prize nominated Elliot, a Soldier's Fugue with the Luna Stage Theater Company, the award winning comedy Handball with the Puerto Rican Traveling Theater, a lead role in the Process Group's production of Population 8 which ran at the Soho Playhouse and most recently starred in Midnight Mass, produced by Apple Core Theater at Theater Row. He has a strong supporting role, playing opposite Ben Gazzara, Talia Shire and Vinnie Pastore in the Independent feature film: Looking for Palladin. He has the lead role in the short film Taught To Hate which has been accepted into the Academy Award Short Film Competition. His television credits include 8 national commercials, the PBS series We are New York, and the upcoming Sci Fi network pilot Expiration Date. Lilia Vassilevas past productions include THE REAL THING (Annie), STOP KISS (Callie), THE GLASS MENAGERIE (Laura), TWELFTH NIGHT (Olivia), and THE SEAGULL (Masha). She received her MFA from Indiana University-Bloomington, where she also taught acting and voice and speech. She currently studies with Bill Esper. She grew up internationally, living in both Bulgaria and Nigeria, and constantly looks forward to the next journey. Reza Salazar ​ ​ Lazaro ​ Leajato Amara Robinson​ ​ Hector ​ Rosie Lani Fiedelman​ ​ Rosaria Luis Salgado ​ Francisco ​ ​ Jorge Acosta ​ Uncle Luis ​ Cast Team Process Press About

The Vision ​ We’re building a world where t here is always #AnotherWay because e verything IS. ​ people embody their creative expression . ​ It's a world where art across disciplines is considered just as important as technology, holds as much value as government, and carries as much weight as our financial institutions. Sustainable creativity is freedom. Emileena >>> What We Do Guiding Values Testimonials The Journey >>> What We Do What We Do | About Schedule a Discovery Call At TSGO Productions... We build supportive environments to develop, incubate, showcase, and launch creative expression #AnotherWay. We support a dialog between the Arts and business - #ArtsMeetsBiz - engage in scientific and spiritual cosmologies, and promote innovative transformation. Because #DevelopmentNeverEnds, we build brand strategies that support the artist within by activating The Sustainability Cycle . Guiding Values Guiding Values | About *Exploration* The creative mind needs freedom, space, and time to develop. ​ *Inclusion* Art is found on the walls of the soul, accessible to everyone - there are no universal rules or definitions. When it's honest and pure, art is everywhere. Inclusion reminds us to be open to all opportunities and possibilities just as we ask those experiencing our art to be open to us. *Evolution* To be sustainable, artists must learn to adapt to and innovate with their environment, evolving their creativity without compromising the artist within. This can only happen with a compassionate, conscious, and honest understanding of the authentic self in relationship to one's art. Your guide Your Guide Emileena Pedigo CEO & FOUNDER ​ Emileena entered the NYC Arts scene producing an international theater festival, working with artists from around the world hungry to get their art into the theatre capital of the world. For seven years she developed a structure for the annual festival that grew to over 60 shows in seven venues. Emileena went on to work at Tribeca International Film Festival, the Hampton's International Film Festival, CMJ music festival, and even the World Science Festival. As a tour- and stage-manager, Emileena toured theaters, arenas, and schools across the USA, working with artists from all artistic disciplines. She served as general manager for various theatrical nonprofits and managed two singer/songwriters as they launched their development journey. ​ ​ Emileena assisted 5-time Tony Award-winning producer Stewart F. Lane on 4 Broadway productions, including the Broadway to Off-Broadway transfer of The 39 Steps . For 4 years she managed 8 rehearsal studios and 2 small theaters at Where Eagles Dare and assisted in operations at Palace Theatre on Broadway for 2 years. ​ After launching TSGO in 2011, her work began to focus on emerging trends in entertainment. There she found herself stuck inside a self-perpetuating system of exploitation, witnessing many artists losing the fight. She would have been lost too if not for an excursion to an ayahuasca retreat in the Peruvian mountains. Upon her return, she found a solution she feels belongs to the world: a paradigm shift that starts one artist at a time. She calls it The Sustainability Cycle (Exploration, Inclusion, Evolution). This is her art. Emileena's current work focuses on building sustainable careers #AnotherWay, using entrepreneurial strategies that prioritize the artist over the art. She co-founded ARTSLAB , an incubator program that cultivates #ArtsMeetsBiz, and served on the board of Conscious Capitalism NYC. Her work helped build Arts programming within the Chelsea Greenwich Village Chelsea Chamber of Commerce. She is a graduate of the Commercial Theatre Institute, SUNY/Kaufmann's Fasttrac program for entrepreneurs, and a Purdue University alum. Schedule a Discovery Call The Journey to Now Journey to Now | About "I love working with talent. When talent is in abundance, the world is a playground of inspiration for all those who choose to open themselves up to it." ~ EmileEna Pedigo After twenty years of working with creative minds, Emileena Pedigo has become the artist whisperer, empowering instead of taming. As a dao practitioner and artist development expert, she's been on the search to end the exploitative cycles that block creativity. She's created an innovative approach to navigating the doubt, self-sabotage, and disillusionment that plagues the artist's mentality. It's called The Sustainability Cycle . ​ Whether you are ready to discover or formalize your own artistic expression, Emileena can guide you to where #ArtsMeetsBiz, using the tools of the Sustainability Cycle, the magic of the Dao, and pure awareness. Fellow Travelers Testimonials | About Artist Testimonials “Emileena is a fantastic coach/mentor and was really good at drawing out our experiences for discussion.” ~ Rohesia Hamilton Metcalfe, Website Designer ​ “Thank you for the awesome opportunity to talk about aspects of business in the Arts, it was informative and fun.” ~ Kate Spencer, Fine Artist ​ Emileena found me and almost instantly I could tell her passion was as great as mine...which inspired me to do better." -Lucas Elliot, Singer/Songwriter We received the "tools and resources of the business mindset but also clarified our artistic vision." -The Lovelies, Dance Troupe "I was presented with concepts that weren't new, but putting them together... I had to push myself. It was life-changing." -Cate Cammarata, Theatrical Dramaturg, Director, and Producer "Emileena gave me a lot of short-term accountability that set up my career for long-term sustainability." -Eddy Marshall, Singer/Songwriter The work "fulfilled a need to be out of my comfort zone and feel safe to explore, to grow, and to achieve my goals." -Simone Maurice, Multi-Media Artist

The Hybrid Club Experience music in immersive, non-traditional environments from indie artists in NYC. The Hybrid Club is a performance venue featuring art across discipline and passionate artists that fall outside the box. Lucas Elliot FXG Entertainment Jackie Paladino Akari Katelynn Indent Highlights - A cross between a rock/dance club and Off-Broadway theatre - Intimate, flexible space with a malleable stage space - Hosts concerts, nont-tradional theatrical productions, and events - Comfortably accomodates seating as well as standing audiences - Full service bar in the same room as the stage

The Show Goes On Productions Presents A Rock Musical Reading Series Tues., Nov. 29 - Thurs. Dec. 8th, 2011 The Mint Space, Theatre Three 311 West 43rd Street, 3rd Floor How to Marry A Divorced Man Tues., Nov. 29th @ 4:30pm Save the Robots Wed., Nov. 30th @ 8pm 1812, the Musical Wed., Dec. 7th @ 8pm Apathy, the Gen X Musical Thurs., Dec. 8th @ 4:00pm Please reload ​ APATHY, the Gen X Musical Book and Music by Mickey Zetts Thurs., Dec. 8 @ 4:00pm Featuring: A cast of six and Mickey Zetts' Icky House Club Band ​ What does it really mean to be Generation X? Find out by following the wacky adventures of six friends romping through the apathetic fog of the '90s. Flash back to the world of grunge, Internet cafes, and controversy in the white house. When Jones manipulative girlfriend gives her friends an unforgettable acid trip, life as they know it morphs into a thrill ride that brings them to present day. If HAIR gave a voice to the outcasts of the 1960s, APATHY follows in its footsteps, giving Gen Xers a social icon they can finally call their own. Cut them open and they'll be bleeding APATHY. For more information on Apathy, The Gen X Musical, visit Runtime: 2:00 with one intermission.

Robert L. Hecker Joshua A. Kashinsky Amy Klewitz Evan Storey Duane Pagano Peter Hoerburger Candice Knox Robert L. Hecker (Playwright) enlisted in the Army Air Corps after Pearl Harbor. He completed thirty missions as a lead bombardier on B-17s and was awarded six Air Medals, four battle stars, a Unit Citation and the Distinguished Flying Cross. Shortly after the war, he began a freelance writing career for radio and television, while specializing in business, education and documentary films. His documentary film awards include: San Francisco Film Festivals Golden Gate Award, Atlanta Film Festivals Gold Award, five Information Film Producers of America Cindy Awards, and four United States Cine awards. He also has had 12 novels published and five stage plays produced, including Honestly Abe, his first musical, as well as a new feature-film screenplay scheduled for shooting in the spring. Robert is a graduate of the Pasadena Playhouse and the Westlake College of Music and a member of the WGA, the Dramatists Guild, and the Alliance of LA Playwrights. Upcoming directing projects include a reading of The English Bride by Lucile Lichtblau (Luna Stage). Recent directing projects include the new musical Honestly Abe by Robert Hecker (La Muse Venale/Mint Theater) and a reading of Dead and Buried by James McLindon (Luna Stage). Recent producing credits are McCarter Theatres High School Rep and The Mad 7 by Yehuda Hyman (dir. Mara Isaacs) in the NY International Fringe Festival. Other directing credits include McCarter Theatre's Youth Ink! Festival and MCC Theatre's Youth Company. Josh was recently a Directing and Producing Assistant at McCarter Theatre in Princeton, NJ where he assisted Des McAnnuff, Amy Morton and Nicholas Martin. As a playwright, his work has been seen in California, New York, Maine and Ontario. Most recently his play Heels in the Sand had a reading at Woodie King Jr.'s New Federal Theatre. He is the recipient of the Lipkin Prize and is a Corwin Award winner. Josh is a graduate of the University of California, Santa Barbara. He received his MFA from Sarah Lawrence College and is a proud member of the Dramatists Guild. Continues an active career as choreographer, dancer and actor. Favorite choreography credits include Diabetes Costars (With Paul and Mira Sorvino), Midsummer Night Swing at Lincoln Center, Wooden Breeks (MCC), Erica Schmidts Price of Pearls and Other Stories, Unity Ball Dance for Alseheimers, Hot for Manhattan Ballroom Showcase, 10 Blocks On The Camio Real, JosephDream Coat, Honestly Abe, among many commercials, musicals and films. Amy worked as managing director of Little Light Productions. She competes as a professional Ballroom and Latin dancer, and dances for the American Ballroom Theatre. She holds a BA in Dance and Theatre and an MFA in Theatre from The Actors Studio Drama School. Through his prior work at management firm 101 Productions and as Executive Personal Assistant to producer Timothy Levy at Robert Boyett Theatricals, Evan has worked on more than 20 Broadway shows and Westend transfers. In addition, he served as Administrative Production Coordinator for the Drama Desk Awards, co-coordinated the New Island Festival, managed Front of House Operations for The New York Musical Theatre Festival, and acted as Production Manager for the Midtown International Theatre Festival. As a playwright, he has written four full-length plays and two musicals. As director, he has mounted six New York stage productions and two television pilots, with one earning him a Velocity Award Nomination for Best Director. Evan studied at the American Musical and Dramatic Academy and is currently working on a degree in Cultural Media from Eugene Lang College at the New School for Liberal Arts. DUANE PAGANO is obligated to thank Emileena and crew for the opportunity to be a part of this production. He has designed lights for any number of productions throughout NYC, some of which you may have seen. And if you havent, no worries, as he has more upcoming. Hes also designed sets occasionally. Possibly you hadnt recognized his name before, as you hadnt read through the program. Thanks for reading and enjoy the show. As always, he dedicates his work to his biggest fan. Recent Designs: My Base and Scurvy Heart, Space Bar, The Erotic Diary of Anne Frank, Gaugleprixtown (Studio 42); Transatlantica (NYTW); Present Perfect (NYIT Award); We Are Being Held (Coffee Cup Theatre); Boise, St. Crispins Day (Rattlestick); Fear (Naked Angels); Marvins Room, HurlyBurly, Crimes of the Heart, Taste of Honey, Bedroom Farce (T. Schreiber Studio); Peter Pan, Tom Jones, Waiting for Godot, The Foreigner, The Orchard, Towards Zero (Dorset Theater Festival); Associate Credits: Bring It On (National Tour); Aladdin (5th Avenue Theatre); Ghetto Klown (Lyceum Theatre); ELF (AL Hirschfeld Theatre); Mrs Warrens Profession (Roundabout Theatre); Stuffed and Unstrung (Henson Alternative); Beauty and the Beast (National Tour); Brighton Beach Memoirs (Netherlander Theatre); Accent on Youth (MTC). MFA graduate of Sarah Lawrence College. NY theatre productions include Tartuffe, Wickets, The Winters Tale, and Twelfth Night. Film credits include Tomorrow Comes Today, My Name is Your First Love, and Gods Atheist. She has also worked in TV as a costume coordinator for 2 seasons at Law & Order and 1 season at Blue Bloods. Ien DeNio Charlotte Volage Sarah Kate O'Haver Paul Siebold Heather Hogan Jamibeth Margolis Genevieve Ortiz Ien DeNio never knows what to say in these things. Ien is an artist, with a general focus in theater and a particular fascination with sound. Her recent work includes Planet Egg (St. Anns Puppet Lab; Holon Puppet Festival, Israel), Hay Fever (NYU-ATC), Blue Roof Skies (92nd Street Y; Jacob's Pillow Inside/Out Festival) and DayDreamers(Canadian Fringe Festival). Her work can be seen in the upcoming weeks in Trojan Women (NYU-ATC) and Anne and Emmett (Atlas Theater, DC). Many thanks to Josh, Mom, Dad, Kate, and neverbugs... little ones. Charlotte Volage theatrical credits include Broadway, Off Broadway and regional theatre. Broadway shows represented are Absurd Person Singular, Goodtime Charley, Yiddle With a Fiddle and Crown Matrimonial. She has worked along side Marsha Norman on Marsha's play Lunch with Ginger observing first-hand this Pulitzer Prize-winning playwright in action. Her first professional theatre experience occurred on the national tour of That Championship Season which starred Danny Aiello and academy award winner Broderick Crawford. She also worked with Elia Kazan on one of his final directorial projects The Chain which premiered at the Hartman Theatre. Cheryl Crawford produced this play, which was optioned for Broadway. Charlotte rode the train every day to rehearse with this icon of theatre history and heard many stories from Cheryl's halcyon days with the Theatre Guild one of the most prominent producing organizations in the history of the American theatre. Sarah Kate is thrilled to be joining The Show Goes On team. For four years she worked closely with box-office guru Joseph Craig at his offices at both Nielsen Research Group and Entertainment Research Marketing, where their research credits include work with Disney Theatricals, SPOT Co, Spiderman: Turn off the Dark and more. Additionally, she has served as the marketing director for the past two seasons of the Midtown International Theatre Festival. She also gives marketing assistance to Touching Humanity, a theater company featuring "differently abled" performers. She has an M.F.A. from Rutgers' prestigious Mason Gross School of the Arts, where she studied playwriting. Paul Siebold is the managing director of OFF OFF PR, a firm dedicated to promoting developing theatrical productions through effective marketing communications. He has been a marketing, promotions and public relations executive for over 15 years. Pauls work has helped to achieve significant pre-press, sold-out houses and post-production success for his clients. Among his many successes, Paul was the publicist for the 2008 and 2009 winners of the New York Innovative Theatre Award's "Outstanding Production of a Musical." Paul works with performers, album releases, comedies, dramas, musicals, plays, dance and solo performances as part of festivals, theater company seasons, independently produced productions, and more. www.offoffpr.com . Member, AEA /AFTRA. Broadway: In The Heights Off Broadway: The Sphinx Winx Regional: Most Wanted, After the Quake, The Farnsworth Invention and Carmen The Musical (LaJolla Playhouse), Denmark, Mauritius (Madison Repertory) Hamlet, As You Like It (PCPA Theaterfest). International: CANDELA "Fuerza y Pasión" (Pura Vibra), Oedipus Rex (TOGA Japan), INDIA (Dragone Productions). She received her MFA from the University of Delaware. Heather is also on the board of directors for the nonprofit arts organization R.Evolución Latina. www.revolucionlatina.org Jamibeth is now entering her 16th year as a professional casting director in New York. She was with Johnson-Liff Casting, Cameron Mackintosh, and Margolis-Seay Casting and is now out on her own as a freelance casting director. Previous credits include the Broadway and National Touring Companies of LES MISERABLES, THE PHANTOM OF THE OPERA, MISS SAIGON, and CATS as well as many other shows on Broadway, Off Broadway, National Touring Companies and shows for prominent regional theaters. Jamibeth is a member of the Casting Society of America. Currently, she is casting many new plays and musicals in development for commercial productions including SISTAS (running Off Broadway at St. Lukes) and WARSAW and is dedicated to developing new works. She is thrilled to be working with Emileena again and the entire creative team of GHOST DANCER. Recent credits include SOPAC's Significant Others (stage reading); NYMF This One Girls' Story; Abingdon Theater's How I Fell in Love; Morgan Street at BRIC Arts New Black Festival; plus various NYC credits. Alyssa Renzi Emily Padden Alyssa is a New York City based theater/film artist. Previously, she has interned on the independent film The Green as the production office assistant and at the 2nd National Asian American Theater Festival as the marketing intern. She also co-produced the short film White Rice which was accepted into the 2011 Big Apple Film Festival and is currently producing the short film Underpaid Narrator. Alyssa does freelance graphic design and editing. Emily Padden is happy to be working with Emileena and Evan again after interning for them this summer on the Midtown International Theatre Festival. A native of Massachusetts, Emily earned a B.A. in Theatre Arts from Salem State University (formerly Salem State College) in 2003 and immediately went to work in the Boston area as a stage manager, production assistant, stagehand, and event tech. She's worked for such regional theatres / theatre companies as The Lyric Stage of Boston, North Shore Music Theatre, The American Repertory Theatre, Boston Actors Theater, The Firehouse Center For the Arts, Boston Theatre Works, New Repertory Theatre, and Company One. Additionally, Emily served for four years as a stage manger / co-artistic director of the Boston fringe theatre company, Junkyard Dogs Productions, and in 2007 went with the Dogs to The Edmonton International Fringe Festival with their original production of Lineage. Since her move here (finally!) in May of 2010, Emily has tried to get involved as much as possible in theatre and so far has worked for the aforementioned MITF, volunteered for the 2010 New York International Fringe Festival (sensing a theme here?), and helped out as a volunteer script reader at New York Theatre Workshop. Currently, Emily is a staff member at State Supply Equipment & Props, Inc. The Production Team of GHOST DANCER ​ Joshua A. Kashinsky Director Robert L. Hecker Playwright Amy Klewitz ​ Choreographer ​ Evan Storey ​ ​ Production Manager ​ Duane Pagano ​ ​ Scenic Designer ​ Peter Hoerburger ​ ​ Lighting Designer ​ Candice Knox ​ ​ Costume Designer ​ Ien DeNio ​ ​ Sound Designer ​ Charlotte Volage ​ ​ Prop Designer ​ Sarah Kate O'Haver ​ ​ Marketing Director ​ Paul Siebold ​ Off Off PR ​ Publicist Heather Hogan ​ ​ Production Stage Manager ​ Jamibeth Margolis ​ ​ Casting Director ​ Genevieve Ortiz ​ ​ Production Assistant ​ Alyssa Renzi ​ ​ Production Assistant ​ Emily Padden ​ ​ Production Assistant ​ Press Process Team Cast About

Rock Tonic 7 Rock Tonic 6 Rock Tonic 5 Rock Tonic 4 Rock Tonic 3 Rock Tonic 2 Rock Tonic 1 7 Thursday, 12/12 at 9pm at Club Bonafide Tickets are $30 No drink minimums! A concert, holiday celebration, interactive show, and music video debut all in one! Featuring Now, the Band Now’s newest studio recording of Love You Every Possible Way is a hard rock hit that explores themes of expansive, multifaceted, and limitless love. The Show Goes On Productions is debuting the accompanying neo-noir experimental music video in its latest ROCK TONIC production. ​ Love is the theme of the night and Now invites the audience to share their reflections on what love means to them and how they want to love those they care about as the winter celebrations approach. Join us for catchy original songs, intense jams, and the spirit of holiday love on December 12 at Club Bonafide! Samantha has a small town feel with a big city voice. She believes in a world where you discover your happiness by being truly aligned with your heart. She's helping build a world where comedy and vulnerability collide through her music. Opening Act Singing Sensation & Instagram Influencer ​ Samantha Ramsdell Join us for the after-party w/ AyeC33 ​ Afterparty only: $5 tickets So who the hell is AYEC33, did he really name himself after a living room appliance? No. He’s an up and coming rapper, singer-songwriter out of Harlem NY. “New York’s best kept secret” are what some people are saying after he demolished the stage at Arlene's Grocery on September 22nd, where he was promoting the release of the new video for his single 'Top 5ive.' ​ But what does that mean to you? AyeC33 is a unique artist, devoted to the experience of the fan. To show this, he bought pizza for all his guests, and charged only 5 bucks to get into his show. Trust me though you’re getting a bargain because this artist is giving you 40 minutes of high energy, as well as meaningful lyricism. But don’t take our word for it check him out yourself.

Finding Balance Past Topics July 17th: Disillusionment : Dig Deeper or Dig Out July 10th: The Nature of Creativity : Subjective Imagination or Objective Reality June 30th: Web 3.0 Jump Ahead or Hold Back June 26th: Google's Sentient AI : To whistleblow or suffer the consequences? June 19th: Father's Day 2022: Fathers and Mothers June 5th: Art vs Algorithm May 29th: Amendment vs. Permanence May 22nd: Creativity in Liminal Times : Routine vs. Liminality May 15th: Inflation & the New Economics: Conversation vs. Confrontation May 8th: Processing Wetiko The Dream State vs Consciousness May 1st: Twitter & Social media: Public vs. Private Spaces April 24th: Time Management Giving vs Collecting April 17th: The Culture Wars Agitation vs. Discipline April 3rd: Will Smith Thinking Ahead vs. Damage Control March 27: Human Sustainability vs Earth's Sustainability March 20th: In-person vs virtually connected March 13th: Underwater vs. Land-dwelling March 6th: Nature vs. Nurture Feb. 27th: "I Don't Know": Useful Distractions vs. Ego's Distractions Feb. 20th: Angry Power vs. Empowered Anger Feb. 13th: Acknowledging Sacred Land w/guest co-host Kate Spencer Feb. 6th: Year of the Tiger Jan. 30th: Emotional Intelligence vs. Artificial Intelligence Jan. 23rd: Development vs Stagnation Jan. 16th: Numbers vs. Letters Jan. 9th: Revivals vs. Originals Jan. 2nd, 2022: Authenticity vs. Broken Systems ​ 2021 Dec. 19th: Wildcard Night Dec. 12th: Water : chemical or esoteric? Dec. 5th: The Media : Arbiters of Justice or Injustice? Nov. 14th Artists vs. Management: Astroworld Music Festival tragedy Nov. 7th: Time vs. Money: Shooting on the set of Alec Baldwin's 'Rust' Oct. 24th: The Great Resignation : Work for Money or Work for Purpose? Oct. 17th: Music, Time vs. Memory: Tony Bennett Performs w/ Alzheimer's Oct. 10th: Social Media : Connecting or Isolating? Oct. 3rd: The Legacy of History , Fact or Fiction? Sept. 26th: The future of entertainment Sept.19th: Gathering vs. Avoidance Sept. 12th: K-pop vs. America Sept. 5th: Wildcard Night Aug. 22nd: Aging : Dying or Living? Aug. 15th: Simone Biles : Mental Illness or the Road Less Traveled? Aug. 8th: Nuclear Waste : Disposal or Termination? Aug. 1st: Is Street Art for Art or Advertising? July 25th: Climate Change : Doomed to Destroy or Poised for Evolution? July 18th: Space Travel : Freedom vs. Disillusionment July 11th: Wildcard Night June 27th: The Cheetos Guy , Authenticity vs. Artistic License June 13th: Psychedelics , for Recreation or Therapy? June 6th: Britney Spears' Conservator , Family vs. Work May 23rd : Man vs. Machine May 16th: Deepfakes , for Entertainment or Deception? May 9th: Natural power vs. Man-made May 2nd: Elon Musk's SpaceX vs. Jeff Bezos' Blue Origin April 25th: Religion vs Spirituality April 18th: Netflix's first movie franchise , Streaming vs. Theaters April 11th, 2021: NFTs , for Artists or Crypto Traders? Back to Events

Cultivating the meta and making it physical... through Evolution, Inclusion, Exploration. #AnotherWay #RebrandingArt #ArtsMeetsBiz Submit my Art! Contact Us ANOTHER WAY ARts FESTIVAL ​ We are searching the country for Arts entrepreneurs and artists who have the talent to BE the example; to remind the country why the "creative win" in business means nothing without an artistically expressive component. ​ ​ The Internet enabled a whole generation of businesses making fast money. We’ve forgotten the lessons learned by our predecessors: the value of markets growing, failing, and re-building, and the opportunity that arises from it. Honest innovation comes from the hunger and drive of entrepreneurs, outside of existing systems. ​ Since the dot-com boom in the ‘90s, corporate entities (like the banking system) and/or economic bubble are no longer allowed to explode. Instead, the system gets manipulated and bastardized to only support growth – this is big business! ​ It means the people already in power creatively twist laws, bend rules, and embrace exploitation. This "creative" pursuit promotes financial mobility over Art. It is increasingly crushing big ideas and teaching a new generation to value the dollar and the creative ‘win’ over the process of artistic expression. ​ Innovation has become the business of pushing evolution onto the consumer instead of letting society incubate and speak for itself. Corporate America is speaking for us now. ​ And we get a society where the Arts are under-appreciated due to lack of exposure. When funding deteriorates marketing suffers and programming disappears. Kids are growing up without Arts education so they don't know how to support them or pursue artistic careers practically (i.e. in a way that is financially sustainable). This is exasperated by Big Business’ view of the Arts as financially unstable. When we don't see or understand something, it's hard to remember the value in it. If a tree falls... ​ Arts are NOT fast money. Artistic endeavors by nature take time to develop. They need that incubation time to become anything of value. Outside of struggling non-profits, fighting for diminishing grants and dependent on financially squeezed consumer donations, there are no commercials centers for Arts businesses and individual artists to develop their craft. The Problem ​ ​ Cultivate the meta and make it physical. ​ The vision: A sustainable safe space to develop, incubate, showcase, and launch artistic ideas that are out-of-the-box in a non-traditional manner; where loving intentions flourish. ​ The mission: To host live events in a festival-type eco-system across artistic disciplines embracing alternative ideas. We also cultivate the entrepreneurial spirit with development programs and resources. ​ Let us together disrupt the current de-evolution of the Arts through Exploration, Inclusion, and Evolution. ​ Exploration Meta Fiziks means freedom, space, and time to develop within financially savvy models that will allow artists to make money alongside, and often in partnership with, the creative businesses making waves under the same roof. ​ Inclusion Art does not discriminate - it does not belong to an exclusive elite. Art can be found in the hearts of the beaten and downtrodden, in the minds of the lonely cool kids, and most importantly on the walls of the soul; Inside the wealthy businessman and the poor high schooler alike. If it's honest and pure, Art is everywhere. Meta Fiziks is a non-traditional, multi-use, flexible venue offering sanctuary to any artistic idea in search of an authentic truth. Evolution Meta Fiziks offers the public an inside view of the artistic process as a way to educate the next generation on #WhatisArt. Our programming includes business seminars alongside artistic events curated to promote non-traditional ideas. Small business needs help more than ever from the artistic community to combat the momentum of corporate and governmental corruption. The Solution